Released in 1981, as the follow up to the “Back In Black” album, AC/DC has created something of a international anthem. But then, as you listen to the rest of the album, it becomes more or less a hit or miss album.
The musicianship is lacking here. It’s like the morning after when you are suffering from a major hangover, and you don’t feel like doing anything. Brian Johnson’s vocals are a bit weak, but still impressive. After this album, Brian’s vocals really start going downhill as AC/DC matures. His vocals are still strong with some rasp as he hits those mid to higher level notes with in the soprano range. The guitars are seem to be coping and pasting the same styles throughout many of the songs. I can’t hardly hear Cliff Williams on bass. Phil Rudd to me is the only one that is saving this record.
The music is lacking the raw power and intensity of explosive melodies. The music tempo is very slow, compared to the previous AC/DC albums. It’s almost to the point, that I find myself wanting to push the skip button to fast forward to another song. Lot’s of filler on this album. The overall sound is heavier than prior albums, but there’s no drive to half of the album.
But not all is lost on this album. Take the opening track, “For Those About to Rock (We Salute You).” This is over five minutes worth of pure Hard Rock. It has a powerful guitar riff. This song has become one of the best international anthems of all time. “Inject the Venom” is another good song on this album that stands out. “Evil Walks”, “C.O.D.”, “Night of the Long Knives”, and “Spellbound” are also good songs with decent riffs, but they too lack that power driven guitar that AC/DC is always known for.
1. “For Those About to Rock (We Salute You)” 5:43
2. “Put the Finger on You” 3:25
3. “Let’s Get It Up” 3:53
4. “Inject the Venom” 3:31
5. “Snowballed” 3:23
6. “Evil Walks” 4:23
7. “C.O.D.” 3:19
8. “Breaking the Rules” 4:23
9. “Night of the Long Knives” 3:25
10. “Spellbound” 4:28