In 1987, Deep Purple was back at it again. Well…I guess they were. I purchased this album here and once I put it on my record player, I was disappointed. One minute, I was thinking that I was listening to Deep Purple and the next it was like I was listening to Genesis.
Musically, it’s hard to describe. It’s Hard Rock, mixed with 1980’s Pop. It’s pretty bland in some spots. This album lacks that power and energy that Deep Purple usually has. The mixing just doesn’t seem to be all that good. This is nothing more than 1980’s music that has swallowed up a great Heavy Metal band. It happened to a lot of bands during the 1980’s. They just lost the heaviness and edge.
The musicianship also seems to be suffering. For one, Ian Gillan’s vocals are horrible. Ritchie Blackmore shows that he can still throw out some decent guitar riffs and leads, but there’s nothing really impressive or explosive. The rhythm section of keyboardist Jon Lord, bassist Roger Glover, and drummer Ian Paice just doesn’t have any backbone or might. This is not one of my favorite Deep Purple albums.
1. “Bad Attitude” 4:32
2. “The Unwritten Law” 4:34
3. “Call of the Wild” 4:48
4. “Mad Dog” 4:29
5. “Black & White” 3:39
6. “Hard Lovin’ Woman” 3:25
7. “The Spanish Archer” 4:56
8. “Strangeways” 5:56
9. “Mitzi Dupree” 5:05
10. “Dead or Alive” 4:42
This album released in 1975, would be the last Deep Purple album until the reformation of the Mark II line up for the 1984 “Perfect Strangers.” This also marked the first record without guitarist and founding member Ritchie Blackmore. I like the title of this album already, because it really sounds totally different. That is owed to the new guitarist Tommy Bolin. Bolin’s style was very funky, soulful, and jazzy. This allowed for the band members to add more of their creativity to the music, since Blackmore wouldn’t have it. There were some creativity differences between Jon Lord, David Coverdale, and Blackmore which led to Blackmore’s departure.
Musically, again, this isn’t just a normal average Deep Purple album. It’s full of soul and harmony. You can tell that the Jazz influences are coming out of the band and the focus has gone more to a Prop style. The music is very tasteful and enjoyable.
Musicianship is great. The guitar riffs and leads are amazing. Tommy Bolin really was the right guy for this job. He would die a year later during his solo career at a young age. But what he contributed to Deep Purple is top notch material. You actually hear the band playing better. David Coverdale’s vocals are at his beat. Glenn Huges on bass and Ian Price on drums really showcase how talented the rhythm section is of the band. Jon Lord’s keys also sound great.
So, I have passed up this album several times, and today, I decided to buy. My thought was no one can ever replace Ritchie Blackmore. But I was wrong. I am glad that I picked up this record.
Comin’ Home 3:52
Lady Luck 2:45
Gettin’ Tighter 3:36
I Need Love 4:22
Love Child 3:05
This Time Around / Owed To ‘G’ (Instrumental) 6:07
You Keep On Moving
1985, saw the rise of Glam Metal and lot of bands got thrown into that genre. Bands like W.A.S.P. and Twisted Sister were no exception. Now, I will admit, that growing up I had “Stay Hungry” as well as this record. I really enjoyed “Stay Hungry” as I thought it was about as raw as Heavy Metal could be without the commercialism.
A year later, “Come Out and Play” was released. I thought that the music lost much of it’s edge, loosing that rawness that made “Stay Hungry” so good. To me, musically, this album has a more heavy leaning toward Heavy Metal with Pop influences. The sound is very clean and polished. In some spots, I felt that the music was kind of bland, a bit plain and in some cases shapeless. The chorus lines are pretty beefy. I just feel that what you have here is a basic average record from the mid 1980’s.
The musicianship is good if you’re into Glam Metal. You have one hell of a front man in vocalist Dee Snider. In recent years, I really have come to appreciate him trying to preserve 1980’s Heavy Metal on his radio show. Backing Dee is guitarists Eddie Ojeda & Jay Jay French, bassist Mark Mendoza, and drummer A. J. Pero.
1. “Come Out and Play” 4:51
2. “Leader of the Pack” (The Shangri-Las cover) 3:48
3. “You Want What We Got” 3:45
4. “I Believe in Rock ‘n’ Roll” 4:03
5. “The Fire Still Burns” 3:34
6. “Be Chrool to Your Scuel” (featuring Alice Cooper) 3:53
7. “I Believe in You” 5:23
8. “Out on the Streets” 4:27
9. “Lookin’ Out for #1” 3:07
10. “Kill or Be Killed”
Fresh out of the Runaways and after releasing her first solo record, Joan Jett now backed the her hand The Blackhearts released “I love Rock n’ Roll” in 1981. This to me was a solid record. It flirted with both Punk and Hard Rock as well as keeping it as close to pure Rock n’ Roll as possible.
The musicianship is good. Joan Jett proves that she can have solo career while performing lead vocals and guitar as she did toward the end of the Runaways. She also proves to be a good song writer. She is backed by a series of good musicians. Ricky Byrd on guitar, bassist Gary Ryan, and drummer Lee Crystal. It also features Eric Ambel on tracks 5 & 10 as guitarist.
Musically, again we have influences that range from pure Rock n’ Roll to Punk Rock itself. Everything is blended together decently. The music is strong, it’s original, edgy, and interesting. I don’t think there is a boring part to this album at all. It’s got some very impressive melodies. The vocals of the entire band is expressive and has lots of feeling. The vocals of Joan herself are stylish and raw. Everything seems to be perfectly balanced. The best riff is the actual title track of the album. But it does feature other good guitar riffs as well as leads done in both Punk and Rock format.
1. “I Love Rock ‘n’ Roll” 2:55
2. “(I’m Gonna) Run Away” 2:27
3. “Love Is Pain” 3:07
4. “Nag” 2:46
5. “Crimson and Clover” 3:17
6. “Victim of Circumstance” 2:54
7. “Bits and Pieces” 2:07
8. “Be Straight” 2:40
9. “You’re Too Possessive” 3:35
10. “Little Drummer Boy” 4:14