In 1990, as Hair Metal was taking to the back seat and Grunge was dominating the airwaves, few bands outside of the arena found success. The Black Crowes were one such band that managed to stay on top and ride the wave. Often, they are thrown into the Southern Rock category as there was a reemergence in the genre. I remember when I first heard them on the radio. It was the song “Twice as Hard.” I was totally blown away with the their style of Blues and Rock n’ Roll. I couldn’t believe what I was hearing and I ran out not long afterwards to grab this album on cassette.
The musicianship is excellent. The Robinson brothers, Chris on vocals has such a distinguished voice. His brother Rich on guitar along with guitarist Jeff Cease throw out these very powerful Blues riffs and lead solos like no other duel. In fact, I love the guitar work on this album. Add in the strong rhythm section of bassist Johnny Colt and drummer Steve Gorman and you have very strong back bone for a band. The foundation and frame work these musicians built was brilliant, and they never released the same album twice, which is even better.
Musically, this album has tons of Blues, Rock, and yes some Country influences from the guitar work to the rhythm section. The music also has a great Bluesy tone to it. It has a wonderful rich melody that is engaging and inspirational. The tracks flow nicely. The riffs and leads are excellent as is the vocals and chorus lines. Each song is well written. Even the two covers on this album are drenched in Crowes fashion.
“Twice As Hard” – 4:09
“Jealous Again” – 4:35
“Sister Luck” – 5:13
“Could I’ve Been So Blind” – 3:44
“Seeing Things” – 5:18
“Hard to Handle” (Allen Jones, Alvertis Isbell, Otis Redding) – 3:08
“Thick n’ Thin” – 2:44
“She Talks to Angels” – 5:29
“Struttin’ Blues” – 4:09
“Stare It Cold” – 5:13
“Live Too Fast Blues/Mercy, Sweet Moan” – 1:17
In 1988, Eric Ambel released his first solo record. For those who never heard of his music, think back to 1981 with Joan Jett’s “Bad Reputation.” He was the guitarist on that album. He has also worked with Steve Earle in recent years. For me, I happened to stumble across this cassette shortly after it’s release.
I was blown away by the quality of the music. Eric proves that he can play Rock n’ Roll, Country, and Blues. He has a decent enough voice to carry a tune, and also proves to be a great lead guitarist. His voice is distinctive and some may be turned off by it. The entire rhythm section with bassist Lou “Alou” Whitney, drummer Ron “Wrongo” Gremp, and guitarist Donnie “D.C.” Thompson really produce some great tempos and melodies. Also pianist Joe “Planet” Terry proves that his keys are on fire when needed.
Musically, this is close to a Neil Young style guitar mixed with Georgia Satellites Band blended with Steve Earle. That’s why it’s hard to classify this into a single genre of music. One minute, the sound can be heavy and Bluesy and the next minute it can be soft and sound along the lines of Country or Rockabilly. It’s very creative, sharp, full, and rich. The song writing is the same way. It’s very powerful. I love full backing vocals.
If You Gotta Go, Go Now 2:59
Total Destruction To Your Mind 4:27
The Girl That I Ain’t Got 0:50
Forever Came Today 3:25
30 Days In The Workhouse 3:08
Power Lounger Theme 3:24
Don’t Wanna Be Your Friend 4:02
I Waited For You 3:01
Next To The Last Waltz 1:57
Loose Talk 3:56
You Must Have Me Confused 4:10
Vampire Blues 2:28
So, George T. only wrote three of the songs on this 1982 “Bad To The Bone” record. Who cares, right? Not when the other songs are done up in George Thorogood fashion and style. So grab a few beers and get ready for a party down memory lane.
So, it’s Blues mixed with dash of Country and Rock n’ Roll. Great mixture of genres for George Thorogood’s style of slide guitar. The way George adopts these songs from other artists and creates arrangements to suit his band is amazing. It’s got soul, it’s got talent, and it’s got swing. It’ll leave you thirsty for more.
The musicianship is very tight. Billy Blough’s bass lines are very good. The drumming of Jeff Simon is good and the added saxophone by Hank Carter makes the music even more energized. You add that along with the whiskey drench vocals and the beer soaked style of the guitar, you have a true sound unlike any other. To this day, I still think that Thorogood is under rated and unappreciated by Rock n’ Roll.
“Back to Wentzville” (George Thorogood) – 3:30
“Blue Highway” (Nick Gravenites, David Getz) – 4:44
“Nobody but Me” (The Isley Brothers) – 3:28
“It’s a Sin” (Jimmy Reed) – 3:32
“New Boogie Chillun” (John Lee Hooker) – 5:03
“Bad to the Bone” (George Thorogood) – 4:52
“Miss Luann” (George Thorogood) – 4:13
“As the Years Go Passing By” (Deadric Malone) – 5:03
“No Particular Place to Go” (Chuck Berry) – 4:00
“Wanted Man” (Bob Dylan) – 3:12
This compilation album has tracks that were recorded in 1978-1979 and wasn’t released until 1991. The band featured vocalist and guitarist Johnny Strike, vocalist and guitarist Frankie Fix, bassist Ron Greco, and drummer Ricky Williams.
This Punk band is amazing. Their style is pure Rock n’ Roll played on volume ten. This gives the music a crunch and gritty sound that is covered in mud. The guitars are heavy has hell. They pelt out riffs and leads. Then the feedback just rips through the music. It’s almost sloppy, but at the same time, the chords are very tight. The bass sticks out and just dominates the entire record. The drum lines are out of this world. The vocals are very sloppy. I don’t think the vocals have reach any kind of range, but, this is Punk, so the vocals don’t have to be perfect.
“I Knew This Nurse”
“San Francisco’s Doomed”
“Rock & Roll Enemy No.1”
“Piss On Your Dog”
“Feel The Beat”
“I Be Stupid Anyway”
“Murder By Guitar”
“Emergency Music Ward”
“Monkey On Your Back”